Through the Strong Medicine paintings I am drawn to examine more deeply the relationship between creativity, spirituality and the natural world and have broadened my subject matter to include figurative elements placed within an abstract space, most often but not always a landscape-based environment. These are not intended to be representational; rather they work as expressive symbols.

In making these new paintings I draw upon my existing process that involves activating the surface with abstract marks that build layers, many of which will be covered up but continue to add richness and depth. I see the new figurative elements in similarly abstract terms, in that they are expressed using the same personal language of marks, colour, texture, line and form. They help establish the overall composition, structure and scale of a piece, while the spatial tensions they create provide the means by which to express the personal discoveries, feelings and sensations I aim to convey through the work.

Painting called The Chicken and Her Master

The Chicken and Her Master, oil and mixed media on board, 30 x 30cm (Sold)

 
 
Painting called King Boar

King Boar, oil and mixed media on board, 30 x 30 cm (Sold)

 
 
Painting called Dreaming of Her Lost Chick

Dreaming of Her Lost Chick, oil and mixed media on board, 50 x 60 cm (Sold)

 
 
 
The Visitor, painting with birds

The Visitor, acrylic and mixed media on board, 50 x 50 cm (Sold)

 
 
 
The Dreamer - painting of a girl on a strange creature

The Dreamer, mixed media on board, 40 x 60 cm €600